Description
Mark Viner is recognised as one of the most exciting British concert pianists of his generation and is becoming increasingly well-known for his bold championing of unfamiliar pianistic terrain.
Born in 1989, he began playing at the age of 11 and two years later was awarded a scholarship to enter the Purcell School of Music where he studied with Tessa Nicholson for the next five years during which time he gave acclaimed performances at London’s St. John’s, Smith Square and the Wigmore Hall. Another scholarship then took him to the Royal College of Music where he studied with Niel Immelman for six years, graduating in 2011 with both first class honours in a Bachelor of Music degree and winning the Sarah Mundlak Memorial Prize for Piano after having gained the highest mark in the year for his final recital and, following a bursary from the Countess of Munster Musical Trust, he graduated with a distinction in Master of Performance in 2013.
After winning 1st prize at the Alkan-Zimmerman International Piano Competition in Athens, Greece in 2012, where his official début recital in the Hellenic capital was hailed by the press as the most exciting musical event of 2012, engagements at home and abroad have flourished. Invitations to festivals include the Pharos Arts Foundation, Cyprus, ProPiano Hamburg and Raritäten der Klaviermusik, Husum in Germany, Indian Summer in Levoča, Slovakia, and the Cheltenham Music Festival and Oxford Lieder Festival in the United Kingdom, while radio broadcasts include recitals aired on Deutschlandfunk and interviews on BBC Radio 3. Engagements in his hometown of Oxford include recitals at the Holywell Music Room, the Jacqueline du Pré Music Building and the Sheldonian Theatre where he made his début with the Oxford Philharmonic Orchestra under the bâton of Marios Papadopoulos. On another occasion he was invited to play for the royal visit of H.R.H. The Prince of Wales. Following his affiliation with with Keyboard Charitable Trust, he has recently embarked on three extremely successful tours of the USA, Germany and Italy.
Aside from a busy schedule of teaching and performances he is also a published writer and his advocacy for the music of Charles-Valentin Alkan and Franz Liszt has led to his election as Chairman of both the Alkan Society and the Liszt Society in 2014 and 2017 respectively. He is very active in the recording studio and his recordings of music by Thalberg, Liszt and, more recently, Alkan on the Piano Classics label have garnered critical acclaim.
